Writing for Catharsis
07-Aug-02
This is a writing exercise I had my students do on Sept. 12 of last year. We held classes that day, and even though I probably could have been at work on Tuesday (the 11th), by Wednesday the shock had worn off and I was deciding that shock felt better.
Sometimes, it’s hard, after something traumatic, to get a grip on our emotions and to be able to express them in a way that helps us understand them. Sometimes, it’s hard to even understand what we’re feeling, much less to write about it. But if you go back to the “basics,” you can sometimes put your emotional thoughts into words in a way that helps.
Take five minutes to think about how you feel. Try to think of a physical object that that feeling reminds you of. Don’t be literal– no burning buildings or airplanes to represent Sept. 11, for example. Start writing down the names of the physical objects that remind you of that feeling.
Pick one of the objects, perhaps the one that is most like that feeling, or maybe the one that is clearest in your mind. This part is somewhat creative, somewhat analytic, and all expressive. It’s okay if you pick something that doesn’t seem to be really connected– you connected it in your mind, and therefore it is a part of that feeling.
For the next five minutes, think about that object. What does it look like? Does it make a sound? What does it smell like? Smell is a very evocative sense, one we tend to forget. Imagine yourself putting your hand on it– what does it feel like. Is it rough? Smooth? Textured? Is it woven? Wet? Stretchy? Solid? Write down these physical sensations.
Spend another 5-10 minutes writing out a paragraph or two description of that object. It is all right, even encouraged, for you to respond to the object emotionally in your writing, and to talk about how you feel interacting with that object. It is all right to describe a fictional action occuring with that object.
In this kind of writing, all responses are valid, even non-responses. When facing the kind of writing where you must confront strong emotional responses, it is all right to decide that you cannot confront those emotions. If you spent the entire 20 minutes trying to think of a physical object, then you have attempted the assignment. If you spent five minutes trying– and failing– to think about how you feel about a significant or traumatic event, then you may want to focus on another emotional area of your life.
When I did this with my class on Sept. 12, I actually wrote about my feelings surrounding the first two weeks of teaching that semester, because confronting my emotions of the previous day would not have been possible while maintaining a professional demeanor.
If you’re in a workshop or classroom situation, you can invite other participants to read their works out loud. This is not the time to coerce students or workshop participants to volunteer. Let the shy be shy for this assignment. Invite participation, but do not force it. As a workshop leader or teacher, you yourself should take part in this exercise and write something, and be prepared, when the rest of the class has had their chance, to read your paragraph out loud as well. This helps students understand that teachers have emotions as well, but by going last, you do not run the risk of “showing up” any students (and if you’re “shown up” by a student, you should be proud of him or her).