I had to cut short my journal entry this morning, as my ride showed up to take me to class.
So where was I? Oh, yeah. . . .
I had read The Dispossessed shortly after I moved out to California. I’d bought it at a Thrift Store for about $1.00, and read it in a couple of days. When I moved out here, I was very poor, and Mom wasn’t making enough money to really afford my school and rent and stuff. I was trying to cut expenses by eating less (also, I wasn’t hungry much). My social life was going to the matinee movies with the friends I made shortly after I moved out here. I spent a lot of time studying. I was happy, in that I could generally get around town OK and I wasn’t sick, and I wasn’t in any really bad relationships. But I wasn’t really “living it up,” either.
The Dispossessed is about a man (Shevek) who comes from a moon colony which is very poor, but which has an anarchist/socialist way of life. So they have few resources, and nothing to spare, but they value everything they have, especially themselves and their friendships. The main character is a brilliant physicist who ends up going to the capitalist society on the home planet to study and work with the physicists there. The novel is split into two “halves”– the time spent on Uras (the capatalist world) and the time spent on Anarres (the socialist moon).
After I read this novel, I was so moved, I gave it away to someone I passed by at school. It was the kind of impulse that would have made Shevek proud. I didn’t notice the author’s name, and I only later remembered the novel title.
Without realizing it, I had read my first LeGuin novel.
Two years later, I was in this summer school class, devoting several weeks to studying her work. It was fascinating. We approached her work with respect, but also with criticism, and I learned an important skill– to blend my fannish love of good fantasy writing with a healthy mix of critical analysis and objectivity. I greatly enjoyed the course, and we ended up reading The Dispossessed again.
That was in 1995. Skip forward 5 years. I’m in graduate school, Spring 2000. I’ve just been accepted into Ursula LeGuin’s creative writing seminar, even though I’m not a creative writing major. Whooo hooo! I don’t know how much my writing improved, but I learned a lot about the craft as a craft. I learned about playing with sentence structures, and using writing exercises as a way to improve certain elegances. I know that’s not a word, but it expresses what I mean here. I later bought her book Steering the Craft because of its value for those writing exercises.
So, I have gone from a casual reader to a critical undergraduate student to a direct student. What’s next?
Fast forward one year, Spring 2001. I’m taking the literary criticism graduate seminar. Fascinating stuff. We have to apply several different approaches to literary criticism to a single work throughout the semester. Very challenging to write that last paper, where all four approaches must be combined. I found that one of my approaches was incompatible with the other three– they resulted in conflicting meanings for the same symbolic entity. Anyway, I knew early that I wanted to use a work of LeGuin’s for this– by now I was working on a mild academic obsession. I really wanted to use The Dispossessed, but chose instead a short story titled “Newton’s Sleep.”
This is a wonderful short story about a space station colony that begins having “visions” that are real or not, depending on who you ask. Isaac is the main character, and he is very objective and rational, even to the point of being irrational about rejecting the illusions. Isaac is very similar, in some ways, to Shevek, in that they are both scientists and objective personalities, but Isaac can’t accept the poetry in his world, and Shevek embraces it completely and sees aesthetics in everything, including physics.
Now I have become the “critical graduate student.” In this case, I am deliberately reading much into the story, because I have to write four different papers on this topic.
In Fall 2001, I taught English 1B, in which the Freshmen in my class must read a novel of my choosing. I was talking to a friend of mine who I randomly ran into at the mall and I asked him what he would choose. The first one out of his mouth was The Dispossessed by Ursula LeGuin. I had considered it, but (and here is where I weep and weep because it’s the wrong reason to reject this novel!) it is 500 pages long. Instead, I chose The Lathe of Heaven, another LeGuin novel, but much shorter. Also, there is a PBS movie version which was re-released in 2000, and which I bought on DVD that Spring. I understand an A&E version is due out this summer.
Teaching The Lathe of Heaven was one of the more painful experiences of my life. For starters, it was a terrible semester. Any time you have to go into a classroom 24 hours after two planes have run into the Twin Towers, you know its going to be bad. Also, my students never really seemed to “get it.” A couple of them really enjoyed the novel, but most of them almost seemed to not have read it when we came to class. Their in-class essays were so uninspired, I let them do a “make-up” at the end of the semester, after we had re-visited the concept of literary analysis. The general idea was to have them describe the theme of a story in terms of characterization, setting, tone, mood, voice, symbolism, language, etc.– it would have worked better if they had applied those ideas to the novel, because there was more there to discuss.
At this point, I have read, learned, learned from, and taught “LeGuin.” I may have more opportunities in the future for teaching her work, and if I ever get to teach the lower division science fiction class, I will not only get to teach The Dispossessed, but also many other favorites of mine and of others. I don’t know if it’s a good novel for Freshmen, because the ideas are so dense. But I think it’s a good novel for SJSU students, because it blends “hard science” with philosophy, political science, and economics, all into a literary masterpiece that can be read for “letters” credit in their GE requirements.
Anyway, that’s my long story about how Ursula LeGuin has entered my life and stayed there. I’m off now to read Henry James (”The Turn of the Screw”) and go to bed. 